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Buffalo springfield retrospective11/14/2022 ![]() Amongst all these classics, it’s easy to overlook Stills’ ‘Hung Upside Down’, but it’s a great album track. Stills also gets an epic piece with the multi-part ‘Bluebird’, while the excellent ‘Rock and Roll Woman’, supposedly about Jefferson Airplane’s Grace Slick, combines David Crosby and Stills’ voices on record for the first time with excellent results. Soul’ uses a fuzzy riff reminiscent of ‘Satisfaction’. ‘Expecting to Fly’ is a beautiful string laden ballad, while ‘Mr. Peppers influences on its sleeve, a wandering epic where Furay is the only other Buffalo Springfield member participating. Of Young’s material, the multi-part ‘Broken Arrow’ wears its obvious Sgt. Young and Stills’ work is both much more ambitious and accomplished than on their debut, and often brilliant, but the inclusion of three Furay songs weighs the album down. Indeed, his ‘Expecting To Fly’ was recorded with Spector sideman Jack Nitszche without the input of any other Springfield members, and was intended for a Young solo album. At the same time, they were in disarray – Palmer was deported to Canada for drug offences, while Young quit and rejoined the band several times. #Buffalo springfield retrospective fullStills’ material is tuneful like ‘Go And Say Goodbye’ but his songs sometimes feel perfunctory like he’s a songwriter for hire.īuffalo Springfield is a promising debut, and ‘For What It’s Worth’ is an enduring 1960s protest anthem, but the group would easily surpass it on their second full length.Īfter the success of ‘For What It’s Worth’, Buffalo Springfield had much more studio time to work on their followup. Young takes lead vocals on two of his second side compositions, and his thin voice is compelling on ‘Burned’ and ‘Leave’. It’s the more enigmatic Young who’s the most interesting figure on Buffalo Springfield – with his high pitched voice, he wasn’t a confident singer initially, and Richie Furay sings lead vocals on two of Young’s songs, ‘Flying on the Ground Is Wrong’ and ‘Nowadays Clancy Can’t Even Sing’. ‘Clancy’ wasn’t necessarily a good choice for lead single – it’s too nuanced and cryptic for mass appeal – but it’s the strongest piece on the original album. The album was re-released in early 1967 with Stills’ breakthrough single ‘For What It’s Worth’ added as the opening track, and it’s clearly a step ahead of Stills’ other material on this record, with its counter-cultural message and Young’s minimal, yet effective, guitar leads. Buffalo Springfield Album Reviewsīuffalo Springfield | Buffalo Springfield Again | Last Time Aroundįavourite Album: Buffalo Springfield Againīuffalo Springfield’s debut album feels somewhat anachronistic – released almost a year after Californian contemporaries The Byrds released the ground-breaking ‘Eight Miles High’, Stephen Stills’ melodic folk-rock and British invasion style songs are tame in comparison. With such a volatile history, the group only hit their potential on one of their three albums, but they’re still a fascinating act, a collective of several exceptional talents taking their first steps in recorded music. But their history was also tumultuous – Palmer was deported several times for drug possession, while the temperamental Young quit and returned to the group several times. In just over two years, Buffalo Springfield released three albums, although they’re most remembered for recording one of the decade’s best known protest songs, Stills’ ‘For What It’s Worth’. The four formed Buffalo Springfield with experienced drummer Dewey Martin, who had previously played with The Standells. Stills and Furay were driving through Hollywood when they spotted Neil Young’s distinctive black hearse with bass player Bruce Palmer in tow Canadians Young and Palmer had been unsuccessfully seeking Stills for a jam session, and were driving out of town. Stills had also unsuccessfully auditioned for The Monkees, while Young had played in a band with Rick James. Neil Young, Stephen Stills, Richie Furay of Poco, and Jim Messina of Loggins and Messina all launched their careers with Buffalo Springfield.īuffalo Springfield’s origins are well documented – Stills and Young had already crossed paths as they both tried to break into the music industry. It’s easy to draw parallels with The Byrds – both were 1960s Californian folk rock bands, with volatile lineups, who spawned many notable acts. Buffalo Springfield were a short-lived, but fascinating band. ![]()
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